etina
1. Hlavn univerzln bio

Petr Nmec rozvj zvukovou praxi na pomez kompozice, performance, instalace a participativnch situac. Jako zvukov umlec, student skladby a performer zkoum propustn vztahy mezi tlem, technickmi systmy a prostedm.

Jeho prce vychz ze zjmu o zvuk jako materiln slu i prostedek vztahovosti  jako mdium, kter me aktivovat kolektivn naslouchn, zesilovat tlesnou zkuenost vibrace a otevrat nov zpsoby vnmn asu, prostoru, pamti a ptomnosti.

Skrze imaginativn komponovan situace hled monosti, jak propojit vnitn a vnj roviny lidskho vnmn a jak vytvet hlub zkuenost sdlen pozornosti a setkn.

2. Krtk festivalov verze

Petr Nmec je zvukov umlec, student skladby a performer. Ve sv tvorb se pohybuje mezi kompozic, performanc, instalac a participativnmi formty, skrze n zkoum vztahy mezi tlem, prostedm a technologi. Zajm ho kolektivn naslouchn, tlesnost vibrace a monosti zvuku jako mdia, kter promuje vnmn asu, prostoru, pamti a ptomnosti.

3. Del koncepnj verze

Petr Nmec rozvj zvukovou praxi na pomez kompozice, performance, instalace a participativnch situac. Ve sv tvorb chpe zvuk nejen jako akustick jev, ale jako materiln slu a vztahov mdium, skrze kter lze zkoumat propustn hranice mezi lidskm tlem, technickmi systmy a prostedm.

Dlouhodob se sousted na otzky kolektivnho naslouchn, tlesnosti vibrace a na vztahy mezi prostorem a tlem, asem a pamt, ptomnost a jejmi stopami. Zajm ho, jak mohou imaginativn komponovan situace promovat mimovoln slyen ve vdom akt naslouchn a jak mohou vytvet podmnky pro intenzivnj proitek setkn.

Jeho prce smuje k propojovn vnitnch a vnjch krajin lidskho vnmn a k hledn forem sdlen pozornosti, v nich se imaginace, participace a citlivost k prosted stvaj nstroji hlub zkuenosti.

English
1. Main universal bio

Petr Nmec develops a sound-based practice at the intersection of composition, performance, installation, and participatory situations. As a sound artist, composition student, and performer, he explores porous relationships between the body, technical systems, and the environment.

His work is grounded in an interest in sound as both a material force and a relational medium  one that can activate collective listening, intensify the bodily experience of vibration, and open new ways of perceiving time, space, memory, and presence.

Through imaginatively composed situations, he seeks ways to connect inner and outer dimensions of human perception and to create deeper experiences of shared attention and encounter.

2. Short festival version

Petr Nmec is a sound artist, composition student, and performer. His work moves between composition, performance, installation, and participatory formats through which he explores relationships between the body, the environment, and technology. He is interested in collective listening, the corporeality of vibration, and the potential of sound as a medium that reshapes the perception of time, space, memory, and presence.

3. Longer conceptual version

Petr Nmec develops a sound-based practice at the intersection of composition, performance, installation, and participatory situations. In his work, sound is understood not only as an acoustic phenomenon, but as a material force and a relational medium through which porous boundaries between the human body, technical systems, and the environment can be explored.

His long-term interests include collective listening, the corporeality of vibration, and the relationships between space and body, time and memory, presence and its traces. He is interested in how imaginatively composed situations can transform involuntary hearing into conscious listening, and how they can create conditions for more intense experiences of encounter.

His practice seeks to connect inner and outer landscapes of perception and to develop forms of shared attention in which imagination, participation, and sensitivity to environment become tools for a deeper lived experience.
